There is usually a solid sense of thematic oneness tying each track's different licks and areas collectively, and the leaping, darkly majestic harmonica melodies are usually consistently memorable. The tunes themselves (six of them, excluding the guitars-only introduction and the pseudo-classical piano outro) are all skillfully designed mini-epics. To place it another way, very few groups could obtain aside with an record cover that describes the harsh reaper riding across the snow on a black equine while keeping a scythe and an hourglass Dissection can be one of them. The percussion are fast, intricate, and exact, while frontman Jon Nodtveidt's vocals - shipped in an bad, mid-range rasp - best off what amounts to just a nightmarishly darkish audio. The electric guitars, with their ominous minor-key licks and deliberately blurred shades, feel like a cool blowing wind on the permafrost. On their last full-length recording, Dissection more refines their brand of frigid black/death steel with amazing and shocking results.
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